Let me not see old age; let me not hear
The proffered help, the mumbled sympathy,
The well-meant tactful sophistries that mock
Pathetic husks, who once were strong and free
And in youth’s fickle triumph laughed and sang,
Loved and were foolish: and at the close have seen
The fruits of folly garnered, and that love,
Tamed and encaged, stale into grey routine.
Let me not see old age: I am content
With my few crowded years: laughter and strength
And song have lit the beacon of my life;
Let me not see it fade, but when the long
September shadows steal across the square,
Grant me this wish – they shall not find me there.
(D.R. Geraint Jones, who died of wounds in Normandy in June 1944 at the age of 22).
Bill Guy writes: I first read the above poem in my early 20s and empathised to some degree with its sentiment – after all, quitting at the top is recommended in many areas of life, so why not of life itself? More than 50 years later, my rather different perspective prompted me to write a rebuttal of Geraint Jones’s death wish and I read it at the Aldinga ExStanza branch’s last session on the theme of ‘Age’:
AGE NEED NOT WITHER
‘Let me not see old age,’ a poet once said.
Fearful of time’s corrosive force,
he could not face the sure decline,
the loss of grip, the fading powers.
Wizened wisdom with a pessimistic tinge
seemed a sad exchange for the untamed hopes
and optimistic leaps that gave cosmic scope
to his youthful philosophy and faith.
He could not contemplate without dismay
the diminished strength of mind and body
that is the inescapable penalty
for challenging the limits to life.
He should not have been so timorous.
Having long since crossed the boundary
into what he saw as an alien land,
I can catalogue its subtle benefits.
Old age gives time a new dimension;
now the clock no longer rules the day;
all schedules, deadlines and agendas
can be set to suit one’s inclination.
Each day becomes a gift to cherish
because it is one more day subtracted
from the total allocated to us by Fate
and therefore must not be squandered.
So, seeking richness in life, not riches,
becomes the goal and, freed from competition, the old now have expanded time and space
in which to savour joys the others only chase.
Thus, age need not be the feared descent
into the valley of cold, dank shadows;
instead, it offers an ascent to greet the sun
from the high peak of enriched experience.
But, note, three blessings will be required
to consummate this golden dream:
good friends, good fortune and good health – with these, the sting will be removed from death.
Sunday, December 14, 2008
Thursday, December 11, 2008
Genocide and Culture
Genocide - Culture & Colour
A noble humble race?
No, not the whities, for
they devour the land
of ancestors and we,
we are the true owners of
Terra Australis.
What are our memories?
The serpent of the dreamtime
full of songlines, sings
the spirit of creation.
Ancient gifter of this land,
who brought our race to life.
Can we regenerate?
The madness of the stolen ones,
Culture shock and naming cruelly
peeled away, layer by layer.
Bleached bones in the desert;
Endless , mindless,worthless,
broken, promises .....of
nothing worth living for.
I have used this poem to identify with my Aboriginal friends.I apologise for any offense which this may cause to any of you.
Isabel Telford
A noble humble race?
No, not the whities, for
they devour the land
of ancestors and we,
we are the true owners of
Terra Australis.
What are our memories?
The serpent of the dreamtime
full of songlines, sings
the spirit of creation.
Ancient gifter of this land,
who brought our race to life.
Can we regenerate?
The madness of the stolen ones,
Culture shock and naming cruelly
peeled away, layer by layer.
Bleached bones in the desert;
Endless , mindless,worthless,
broken, promises .....of
nothing worth living for.
I have used this poem to identify with my Aboriginal friends.I apologise for any offense which this may cause to any of you.
Isabel Telford
Irish Weavers DNA
Irish Weavers DNA
I can hear the distant shuttle,
I can see the slanting light,
as it settles on the looms,
in the fading of the light -
a gene fuelled soup, propelling me along.
It’s the sum of history’s past
it’s the promise in the future
in it’s colour, shade and strands.
the weft and warp of life;
it’s the map scratched on my psyche
it’s the shade of
who
and what
and why...
I am
ME.
Isabel Telford
I can hear the distant shuttle,
I can see the slanting light,
as it settles on the looms,
in the fading of the light -
a gene fuelled soup, propelling me along.
It’s the sum of history’s past
it’s the promise in the future
in it’s colour, shade and strands.
the weft and warp of life;
it’s the map scratched on my psyche
it’s the shade of
who
and what
and why...
I am
ME.
Isabel Telford
Monday, December 8, 2008
My Cultural Identity
The curlew and the corncrake nightly sing
A song to the music in the heartland of my soul
And stories from a past with joy forever ring,
While the history of my country fills the bowl.
A thousand years of people lived to make me know
The path in pride my culture would then take
And ‘tis the same for each of us to show,
The way with honour we wish to make,
That precious gift, which none would dare forsake.
It is a prize worth fighting hard to win
And a battle that could so easily break
The hearts of many decent folk like sin
But culture just like courage will never let you go,
It is your flag of true identity always there on show.
Adrian Kavanagh
December 6, 2008
A song to the music in the heartland of my soul
And stories from a past with joy forever ring,
While the history of my country fills the bowl.
A thousand years of people lived to make me know
The path in pride my culture would then take
And ‘tis the same for each of us to show,
The way with honour we wish to make,
That precious gift, which none would dare forsake.
It is a prize worth fighting hard to win
And a battle that could so easily break
The hearts of many decent folk like sin
But culture just like courage will never let you go,
It is your flag of true identity always there on show.
Adrian Kavanagh
December 6, 2008
Sunday, November 30, 2008
Decadence
The topic is decadence
The meaning interpreted, I'm sure
So I opened the Pocket Oxford
Left languishing on the floor-
Deterioration, it said, decline of a nation,
Or of an art or literature after culmination.
When has a nation climaxed
After Shakespeare, Mozart, or a Great War?
Or are we governed by cyles
Like a constant, revolving door?
We hit a peak and then decline
Before we can hit a peak again.
The circle of life goes on
We cannot and do not remain.
And Byron wrote, "I love not man the less but Nature more,
From these our interviews, in which I steal
From allI may be, or have been before,
To mingle with the universe, and feel
What I can ne'er express - yet cannot all conceal."
For Man and Nature are inextricably entwined.
When we take too much, so we decline -
As Nature is bountiful, so it is lean
The boom and bust cycle and all that, that means.
Around the next corner
The moral reality
Of the nature of decadence
And its slide to the sea,
Which taketh and giveth
With pleasure and pain
Byron sought both
As his writings inflame.
Ian Matthews, October 2008.
The meaning interpreted, I'm sure
So I opened the Pocket Oxford
Left languishing on the floor-
Deterioration, it said, decline of a nation,
Or of an art or literature after culmination.
When has a nation climaxed
After Shakespeare, Mozart, or a Great War?
Or are we governed by cyles
Like a constant, revolving door?
We hit a peak and then decline
Before we can hit a peak again.
The circle of life goes on
We cannot and do not remain.
And Byron wrote, "I love not man the less but Nature more,
From these our interviews, in which I steal
From allI may be, or have been before,
To mingle with the universe, and feel
What I can ne'er express - yet cannot all conceal."
For Man and Nature are inextricably entwined.
When we take too much, so we decline -
As Nature is bountiful, so it is lean
The boom and bust cycle and all that, that means.
Around the next corner
The moral reality
Of the nature of decadence
And its slide to the sea,
Which taketh and giveth
With pleasure and pain
Byron sought both
As his writings inflame.
Ian Matthews, October 2008.
Protestor Pants (Decadence)
These pants are a badge of honour
Opposed to the world of greed
They represent an alternate view
To meet a real need.
The patches serve great purpose -
Reused, recycled, repaired;
Not your throwaway item here
Whose messages are earnestly shared.
The boom and bust of money markets
Shine no light on one
Who wears these threads with proud abandon
Against the powers she shuns.
The purposeful placement of textural designs
Is all that decadence is not
Neither caring nor compassionate,
Indulgent - society's rot.
Kym Matthews, October 2008.
Opposed to the world of greed
They represent an alternate view
To meet a real need.
The patches serve great purpose -
Reused, recycled, repaired;
Not your throwaway item here
Whose messages are earnestly shared.
The boom and bust of money markets
Shine no light on one
Who wears these threads with proud abandon
Against the powers she shuns.
The purposeful placement of textural designs
Is all that decadence is not
Neither caring nor compassionate,
Indulgent - society's rot.
Kym Matthews, October 2008.
Sunday, November 23, 2008
Childhood Lost
CHILDHOOD LOST
High on the chilly windblown crag, childhood is tarnished:
powerlessness and fear hang in the air like shades of dark.
This trusting spirit child, so full of generous ease,
no longer views her Lilliputian world through hazy,
carefree hues of innocence; but travels now, with hesitance
on tippy-toes, while ....flight, shouts and screams shreak -
discordant notes from every fibre of her being.
A threatening ‘otherness’presses;
menace hovers in the fractured shadows,
nooks and crannies where she plays her
childish games of make-belief and mayhem.
She shifts from innocence and childish play....
too late she minds her mother’s call
"take care my dear, be home by dark.
She bolts like lightning down the scree,
emerging from the crags on to the road.
The terrace, shines wet and lowering;
chimneys plume ; glowing windows beckon -
like familiar beacons on a hill.
Arms wide stretched wait to draw
this child of love and nurture in.
Her identity fractures yet
into shades of grey, while
fear become a token currency
and trust is forever lost.
Isabel Telford
April 2008
High on the chilly windblown crag, childhood is tarnished:
powerlessness and fear hang in the air like shades of dark.
This trusting spirit child, so full of generous ease,
no longer views her Lilliputian world through hazy,
carefree hues of innocence; but travels now, with hesitance
on tippy-toes, while ....flight, shouts and screams shreak -
discordant notes from every fibre of her being.
A threatening ‘otherness’presses;
menace hovers in the fractured shadows,
nooks and crannies where she plays her
childish games of make-belief and mayhem.
She shifts from innocence and childish play....
too late she minds her mother’s call
"take care my dear, be home by dark.
She bolts like lightning down the scree,
emerging from the crags on to the road.
The terrace, shines wet and lowering;
chimneys plume ; glowing windows beckon -
like familiar beacons on a hill.
Arms wide stretched wait to draw
this child of love and nurture in.
Her identity fractures yet
into shades of grey, while
fear become a token currency
and trust is forever lost.
Isabel Telford
April 2008
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